In 2015, a dystopian omnibus film by five young directors from Hong Kong titled “Ten Years” became an indie hit. Envisioning the deteriorating state of the city in a decade’s time, the film enraged Chinese authorities — and inspired “Ten Years” versions in Taiwan, Thailand and Japan.
Artfully produced by by Cannes-winning director Hirokazu Koreeda, TEN YEARS JAPAN is a headfirst dive into a future of digitised memories, automated education and radiation poisoning - where five young up-and-coming directors envision and sculpt five different cinematic futures not far from the dystopian trails of Black Mirror with the resounding challenge - will humanity and legacy endure?
Euthanasia has been legalised in response to the drastic ageing - conflict arises for an ambitious salesman when his mother-in-law becomes eligible for the programme.
A chilling Brave New World spin on Japan where electronic implants control students’ behaviour, as well as tailoring their syllabus for a predesignated profession.
17-year-old Maki retrieves her dead mother’s data package, and while browsing her memories, discovers a shocking secret.
THE AIR WE CAN'T SEE
A new generation has grown up underground in the wake of a radioactive disaster. Mizuki (Chizuru Ikewaki) yearns to explore the outside world, despite her mother’s fears.
FOR OUR BEAUTIFUL COUNTRY
A satirical look at propaganda and a profound ode to country and culture - a young ad executive is tasked with telling a revered artist that her design for the military’s new recruitment campaign has been deemed too outdated.